#Gibson Es 345 Stereo Guitar How To Rewire A

Gibson Es 345 Stereo Guitar How To Rewire A

Occasionally useful and always fun to play with. One output, two pickups going to two channels or two amps. Relatively simple and straight forward. Any info I can find on this includes removing the varitone which in this case I donвЂ™t want to do, I just want to make it mono (I already have several Es-335 guitars without varitones so I want to keep the varitone to switch. IвЂ™m looking for some guidance on how to rewire a stereo Es-345 to a mono while also leaving the varitone in place.

The ES-345 was discontinued in 1981, one year after the Gibson Lucille, based on the ES-355 (see below), was launched. FOR SALE We are a retail music store and our instruments and products are cleaned.British guitar player John McLaughlin used a walnut ES-345 with a scalloped fretboard. In case you arenвЂ™t, hereвЂ™s a short tutorial:GIBSON ES-345 STEREO Electric Guitar 1976 w/ Original Case - 2995.00. Most of you are aware of the Gibson stereo models and how they work.

There are stereo 335вЂ™s, Byrdlands, ES-350вЂ™s and probably a few others that I havenвЂ™t seen. Other models occasionally were made into stereo guitars as special orders. The ES-355 could be had with the stereo circuit or with the 335 (mono) circuit.

I recently purchased a Gretsch White Falcon stereo guitar. But the Gretsch вЂњProject-o-SonicвЂќ was completely different and, frankly, somewhat baffling. Simply put, the bridge pickup goes to channel one (or amp one) and the neck pickup to channel (or amp) two. The concept was similar but the execution was very different.The Gibson stereo circuit splits the neck pickup and bridge pickups to a stereo output, allowing each pickup to be amplified separately. I believe that distinction goes to Gretsch and their Project-o-Sonic circuit, I believe.

On a Gibson stereo, if you simply use a mix down cable, you get great tone out of the individual pickups but when you want to use both pickups, they are out of phase, so they tend to cancel each other out. You can still get the odd combinations but they arenвЂ™t split between channels. Or, how about the high strings coming from both pickups and the lower strings turned off completely? ItвЂ™s all a little silly but there are some pretty interesting combinations that sound pretty good.A good thing about the Gretsch system is that you can simply override the stereo effect by using a mix down cable (stereo on one end and mono on the other). So, to be clear, you can have the top three strings picked up by the bridge, the lower three picked up by the neck and each sent to a different amp. There are five separate three way switches that allow 54 different combinations (according to the Gretsch hype). In all versions, the Grestch stereo system splits each pickup into two separate units sending the high (G-B-E) strings and the low (E-A-D) strings to different outputs.

It can give you some honky, quacky tones not usually associated with a Gibson but how often do you use honky, quacky tones? If I wanted honky and quacky, IвЂ™d play a Stratocaster.Ultimately, nobody won the stereo wars because nobody really wants stereo guitars. The Varitone is, essentially, a fairly primitive notch filter that removes certain frequencies from the signal. Of course, Gibson also put their вЂњVaritoneвЂќ switch into the circuit which has caused more debate (and consternation) than just about any other guitar feature.

IвЂ™ve never had a 60вЂ™s Gretsch but they sound like they gave the same problem.Incidentally that first blonde 345 you sold me is still going strong вЂ“ like you IвЂ™m inclined to say itвЂ™s amongst the prettiest guitar going вЂ“ and IвЂ™ve plenty of blondes to compare toвЂ¦. Think that was a вЂ™62 as wellOf course there were other links between Burns and other US builders with Ampeg eventually buying him outThe one thing about those early Burns models was the complexity of their wiring making getting the same precise sound вЂ“ every time вЂ“ all but impossible. It sounds pretty great but what am I going to do with 54 different tonal possibilities? I donвЂ™t even know 54 songs.The split coil idea was also taken up pretty early on by Jim Burns, GBвЂ™s answer for Leo FenderIвЂ™m not absolutely sure that he was running the 3 EAD bass strings from the neck alongside the top three GBE picked up from the bridge pickup but he was doing it fairly often in the early 60вЂ™s using the вЂњsplit soundвЂќ nameYou might recall my mint short scale Jazz with its Split Sound and highly attractive вЂњWild DogвЂќ setting when you & V came over. And while the Project-o-Sonic White Falcon I now own is a pretty cool guitar in its pimpmobile kind of way, the functionality of the circuit is more than a little arcane. Gibson sold a lot of them.